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弗里施作品:【《传记。一出戏》】【《传记,一出戏》】 [复制链接]

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只看楼主 倒序阅读 0楼 发表于: 2012-04-22
《大百科》第1版“外国文学”卷“弗里施”条作“《传记。一出戏》”,第2版“弗里施”条作“《传记,一出戏》”。

《中国大百科全书》第1版:
【弗里施(Frisch)】…… 弗里施获得国际声誉的剧作是《安多拉》(1961),剧本控诉了法西斯迫害犹太人,并提出在这类罪行中谁是帮凶的问题。弗里施的剧作还有《传记。一出戏(1967)、《写给学校用的威廉·退尔》(1971)等。……

《中国大百科全书》第2版:
【弗里施(Frisch)】…… 《安多拉》问世以后,欧洲的“文献戏剧”和“残酷戏剧”相继兴起。弗里施又折回到他的戏剧事业的初创阶段,重新拾起与《圣·克鲁兹》相近的题材,写出《传记,一出戏》(1967)。……
中国第一家无纸化校对公司,公众号:jiaoduiw、jiaoduibiaozhun。郭站长联系方式:QQ32767629;微信jiaodui;手机13556123901
离线historysky

只看该作者 1楼 发表于: 2018-12-18
《不列颠百科全书》:
Max Frisch
SWISS AUTHOR
Alternative Title: Max Rudolf Frisch

Max Frisch, in full Max Rudolf Frisch, (born May 15, 1911, Zürich, Switz.—died April 4, 1991, Zürich), Swiss dramatist and novelist, noted for his depictions of the moral dilemmas of 20th-century life.

In 1933 Frisch withdrew from the University of Zürich, where he had studied German literature, and became a newspaper correspondent. After touring southern and eastern Europe from 1934 to 1936, he returned to Zürich, where he studied architecture. Frisch worked as an architect after service in the Swiss army during World War II. He abandoned architecture in 1955 to devote himself full-time to writing.

Frisch’s play Santa Cruz (1947) established the central theme found throughout his subsequent works: the predicament of the complicated, skeptical individual in modern society. One of Frisch’s earliest dramas is the morality play Nun singen sie wieder (1946; Now They Sing Again), in which Surrealistic tableaux reveal the effects caused by hostages being assassinated by German Nazis. His other historical melodramas include Die chinesische Mauer (1947; The Chinese Wall) and the bleak Als der Krieg zu Ende war (1949; When the War Was Over). Reality and dream are used to depict the terrorist fantasies of a responsible government prosecutor in Graf Öderland (1951; Count Oederland), while Don Juan oder die Liebe zur Geometrie (1953; Don Juan, or The Love of Geometry) is a reinterpretation of the legend of the famous lover of that name. In his powerful parable play Biedermann und die Brandstifter (1958; The Firebugs, also published as The Fire Raisers), arsonists insinuate themselves into the house of the weak-willed, complacent Biedermann, who allows them to destroy his home and his world rather than confront them. Frisch’s later plays include Andorra (1961), with its theme of collective guilt, and Biografie (published 1967; Biography), which deals with social relationships and their limitations.

Frisch’s early novels Stiller (1954; I’m Not Stiller), Homo Faber (1957), and Mein Name sei Gantenbein (1964; A Wilderness of Mirrors) portray aspects of modern intellectual life and examine the theme of identity. His autobiographical works include two noteworthy diaries, Tagebuch 1946–1949 (1950; Sketchbook 1946–1949) and Tagebuch 1966–1971 (1972; Sketchbook 1966–1971). His later novels include Montauk: Eine Erzählung (1975), Der Mensch erscheint im Holozän (1979; Man in the Holocene), and Blaubart (1982; Bluebeard).
中国第一家无纸化校对公司,公众号:jiaoduiw、jiaoduibiaozhun。郭站长联系方式:QQ32767629;微信jiaodui;手机13556123901
离线historysky

只看该作者 2楼 发表于: 2018-12-18
Biografie 是德文,相当于英文的 Biography,也就是《传记》。怎么就成了《传记,一出戏》了?
中国第一家无纸化校对公司,公众号:jiaoduiw、jiaoduibiaozhun。郭站长联系方式:QQ32767629;微信jiaodui;手机13556123901
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